Work, and where it sits
My work sits at the hard edge of the street — silhouette, architecture, and the moment the light runs out of a frame. I shoot in monochrome almost exclusively. Colour, when it appears, is leaving.
The photographs are presented as bodies of work rather than a scattered feed, so that each series keeps its own rhythm, its own internal weather. This site is the gallery: dark, quiet, and built to let the frames do the talking.